ME AND THE OTHERS (by Dave Chapman)

From the linernotes of the album "UNCOVERED" (FA6514)
Copyright: DAVE CHAPMAN and FEATHERED APPLE RECORDS

It was about 1961, I was in a Christchurch music store Sedley Wells, buying my first electric guitar, a Commodore. I saw there a matching Commodore bass guitar which I commented on and the salesman "Jack" said to me that it was already sold to a guy by the name of Thain. Although I'd heard of him we'd never met. I was 16 at the time and Gary was 13 .I had left school and was working in the city as an office boy, and practicing with my first group The Mustangs. Our drummer was Wayne Allen, who in later years was to work with Gary, who by this time had left school and was working as a lineman.

ABOVE: Dave's first band THE MUSTANGS

About two years later I started to go to a popular Christchurch dance club called the Caledonian. The resident band there were The Strangers which were Gary Thain on bass, his brother Arthur Thain on lead, Graeme Ching on rhythm, and Dave Beattie, drums. They were doing everything popular for the time, The Beatles to Rock ‘n Roll plus some instrumentals. The Strangers were very polished, had a great sound and a big following. I remember the compare of the club referring to Gary as the swinging bass player. Yes he was good, in fact very good. They were later joined by another drummer, Peter Dawkins, and later did some recording work releasing a single 45.

After a very successful 2-3 years, The Strangers disbanded and Gary teamed up with Paul Muggleston's band The Secrets with Paul on rhythm and vocals, and Wayne Allen, drums and vocals, and Dereck Wright on lead. They were The Secrets and in 1964 -1965 were the resident group for a top Christchurch club, The Plainsman, They played everything popular at the time from Beatles to P.J. Proby. They were also support artists for Del Shannon ,The Searchers, and Peter and Gordon, who toured New Zealand. After some months at the Plainsman, The Secrets went on a lengthy Tour of New Zealand. During this time, early 1965, I had started as lead guitarist for a new group, The Others. It was started by former Strangers drummer Peter Dawkins, and we became resident group along with Les Street and The Alleys at Christchurch's now number one night spot, “The Pride of Place.” We were support group for Tom Jones and Hermans Hermits when they toured New Zealand in 1965.

Two to three months later Les Street and The Alleys disbanded so The Secrets, just arriving back on the scene in Christchurch, started with us at the Pride of Place as the replacement group. This is when I really got to know Gary. Gary was always full of life and laughing he had a great sense of humour and a passion for music. During our time playing at The Pride of Place, Gary and Paul from The Secrets decided that they wanted to go to England. Peter and I from The Others also decided we wanted to go. We had the perfect line up, bass, drums, rhythm and lead, so a new group was born, Me and The Others.

This group was key to Gary’s future success. Previously during the Tom Jones show, Peter and I were talking with Mike Gee lead guitarist from The Squires who were Tom Jones' show band. We told him we were heading for the UK and he gave us a note of introduction to Tom Jones’ agency in London. This would hopefully give us some sort of start. About February 1966 Gary and Paul left New Zealand two to three months ahead of Peter and I on a cruise liner, The Australis, bound for Southampton via Suez Canal, a four week trip.

Gary and Paul arrived in Southampton one month later and decided to try find some part time work together whilst they waited for Peter and I to arrive, so they found their way to Newzealand house and saw that on the notice board that there was an add for horse riders at a place called Cowboy City in the North of England in a small town called Kirby Misperton, so for a laugh off they went to become members of the notorious Dalton Brothers. Cowboy City was a local attraction, there was a Shanty Town like a western movie set, where there was a daily show which drew a crowd of paying spectators. The Dalton Brothers were USA villains from the 1800's; during the show the gang would ride into town and rob the bank and there would be a shoot out. It was then decided for only Paul to become a part of this, as this wasn't for Gary. So a short while later Gary left Paul and went to a nearby town, Scarborough, and found his way into a local band, Just Gigging Around. I do not know who they were or where they played.

In May 1966 Peter and I, after spending four weeks on an Italian cruise liner, The Fairsky, arrived in Southampton. Paul came down from Kirby Misperton to pick us up in his Triumph Heraldand with our suitcases inside and Peter’s drums packed in a big cardboard box tied on the roof rack, we set off for the North of England to cowboy city so Paul could finish off his stint there, as he was on contract. Peter and I were there for one show which I must say was very authentic. That night we stayed in the bunk house then soon headed off for London where we found a house in Clapham Common. Gary arrived two weeks later from the North of England to join us, now we were ready to work on a repertoire.

The original plan was for us to play surf music which was very popular in the USA. The scene in the UK was not for that sort of music, so we went to a record shop on Portobello Road and bought a pile of newly released 45 records. The music on these records was becoming very popular and was about to dominate the music scene in the UK and USA. Some songs included "You don't know like I know" by Sam and Dave, "My Girl", "Hold On I'm Coming" etc. We then spent the next few weeks developing a repertoire of R&B plus Rock ‘n Roll, and the group was starting to get tighter. We contacted Tom Jones' agency as planned but didn't get any real reception as hoped.

THE PRETTY THINGS with TOMMY ADDERLEY in '65

One night Peter and I were walking around Soho and Peter, who was a real Viv Prince fan, spied a newspaper cutting stuck to the window of a Greek restaurant, the headline was "What's Viv up to?" Peter stopped to read this, the paper said that quote "Since Viv Prince, the former drummer of the famous ‘60s group The Pretty Things have disbanded, Viv is now hosting a Soho night club called "Knuckles". The club just happened to be in the basement of the Greek restaurant. The ironic thing about this is that prior to coming to the UK our group The Others had been on a tour of New Zealand’s South Island as a show band. The top of the bill was a top New Zealand artist Tommy Adderley and Tommy had been on the same show as The Pretty Things when they toured NZ in 1965. Tommy knowing that we were going to the UK said "If ever you bump into any of The Pretty Things give them Tommy's regards. So this is all we needed.

Peter and I went down the stairs and Viv just happened to be at the door talking to the doorman. Peter asked "are you Viv Prince?" and Viv replied "Yes". Peter introduced us both and told him we were a group from New Zealand and that Tommy Adderley sends his regards.Viv looked quite blank until Tommy’s name was mentioned, then he shook both our hands and invited us in. We told him we had come as a group and were looking for work. Viv immediately asked if we wanted a job playing here for two weeks. Peter and I took up the offer. That night we stayed at the club until late and met The Easybeats from Australia, who had also just arrived in the UK; we had drinks and a good time together. At closing time Peter and I took Viv and Johnny Banks, the drummer from The Mersybeats home in our van.

We arrived at, Chelsea, just off Kings Road and Viv took us down to a basement flat to meet some friends of his that lived next door to him. Present there was Jet Harris, ex bassist for the UK group The Shadows, also there was Jet’s lady friend Billie Davis, who was also a well known ‘60s pop artist, and TV presenter. Jet was living in the room next to Viv Prince, but was now going to be moving , so his room would be vacant. The four of us vacated our Clapham Common address and Gary and Peter moved into Jet’s room. Paul and I found a room to live in directly across the road. We were now all living in Chelsea, which was where all the ‘60s action was in London. We played at Viv's club" Knuckles" for the next two weeks and now Paul was doubling on Vox Continental organ, this gave us an even bigger sound.

During this time at Knuckles, Viv’s patrons were anyone from Pete Townsend from The Who to Mick Wiltshire from the New Vaudeville Band who quite frequently sat in with us, and ex Shadows drummer Tony Meehan, who we spent some time with, plus many more well known pop artists. We were received very well and got invited back for another two weeks playing, and a short while later whilst at Knuckles we were asked if we would be interested in being a backing group for a new guy going on tour, Engelbert Humperdink, who at that time was unheard of. Peter said no thanks, not anyone with a name like that. That's one guy that made it big. True story. One night Pete met a guy in a pub in Soho called Dave Backhouse. Dave was with the Cana Variety Agency in London, and the next night or so we all wound up with Dave at the Marquee club. We were introduced to Gary Farr and The T-Bones drummer, who along with Dave introduced us to Jack Fallon, owner of Cana Variety Agency.

ME AND THE OTHERS (pic by Brian Epstein's agency)

Shortly after, Jack Fallon, who had also had dealings with The Beatles and many other big names checked us out during an audition and was “knocked out with the sound”. He then got us some gigs on a contract basis covering the whole of the UK. We were on the road most of the time over the following months at many different clubs and dances. For instance, two weeks at the Blue Lagoon in Newquay, Cornwall, where our support band for the fortnight was a band called The Reaction (editors note: this group released two privately-pressed discs in 1966 as Johny Quayle and The Reaction) whose drummer was none other than Roger Taylor, later to find fame and fortune as part of Queen. I remember we had a great two weeks there with them. We also played places like Mr Smith’s club in Manchester, and The Beach Ballroom in Aberdeen where we played to a crowd of hundreds.

As we progressed the group got better and we were getting more gigs and met many artists. Gary was using a Gibson semi acoustic bass through a Vox amp with a 15 inch Vox speaker cabinet either side of the stage. This gave the group a big driving sound. One night we did a gig in Southampton, along with The Graham Bond Organisation. That was a very memorable night as Graham’s bassist and drummer were Jack Bruce and Ginger Baker, who eventually teamed up with Eric Clapton to form Cream.These names meant nothing to us at the time, but Gary, even with his own style of slap picking, was always taking notice of other bassists. I’m sure that night Gary would’ve got some pointers from Jack.

Gary was only 18 years old at this stage and we all smoked cigarettes and had the odd drink. Gary had a passion for brandy mixed with Rose's lime on ice. One night we did a gig, a social night, on an airforce base, somewhere in the north and as the drinks were free we drank our fill of brandy and lime and when it came time to start playing we were all drunk and Gary completely disappeared. We went out to look for him but he was gone. We were looking for so long that the airmen, hungry for some music, picked up our instruments and started playing themselves. We later found Gary collapsed and asleep in a garden flower bed and almost completely out of sight. We didn't get paid that night and no wonder.

ME & THE OTHERS PN Hithouse '66

We toured all UK and Scotland and were constantly up and down the country playing more clubs than I could ever remember we then decided that we would look for work in Germany. We did auditions in the Marquee club, where we played to Ian Smithers who ran an agency, plus Mickie Most and Spencer Davis. And whilst there we did a couple of numbers backing Jimmy Cliff. We also played in the Whisky-A-Go-Go club in London where we were auditioned and then contracted by Philip Neuman of the PN Hit House, on Leopoldstrasse, in Schwarbing, Munich, the top club in Germany, for one month. The Kinks played there shortly before us.

ME & THE OTHERS PN Hithouse, '66

Prior to setting off for Germany, we did a recording at Regent Sound studio in London, the song was Love Is Not A Game, the B side was to be recorded on our return. So off to Germany we went in our van, via Dover and Belgium. We lived in a luxury apartment, owned by Neuman, across the road from the club. We played seven nights a week, Gary's bass playing just got better and better and he became a driving force behind the band. We had a very successful month, and had a strong following; that apparently changed when we left.

ABOVE: ME AND THE OTHERS in Germany, 1966

The following month we secured another contract for four weeks in Stuttgart, playing on an American military base in a night club at Robinson Barracks. During our gig there I met an American guy, Paul Wetterhahn, who was a DJ on the armed forces radio station. One night Paul came to the club with a small portable Grundig tape recorder and recorded one of our sets. From then, even though a world apart, Paul Wetterhahn, who moved back to Chicago, became a life long friend. Anyway back to the Stuttgart story. After that month I decided that I wanted to return to New Zealand and Paul Muggleston wanted to go back to London. Prior to my departure back to NZ, I contacted Regent Sound and asked for a copy of Love Is Not A Game, which I was given on an acetate 45 record. This was about Febuary - March 1967, so Gary and Peter went back to Munich and Paul and I went back to London. Eventually I arrived back in New Zealand. Paul Wetterhahn sent me a copy of the tape set he recorded on his Grundig soon after, which at a later date I unfortunately recorded over the top of and wiped. How Dumb!!! I later received letters from both Peter and Gary, who had started another group in Munich with Ed Carter, a session guitarist with The Beach Boys. They called themselves The New Nadir, for some time they toured Germany France and Switzerland then later Gary joined Keef Hartley's band and then went on to Uriah Heep.

About 1973 Gary returned to New Zealand to see his family. He was interviewed on TV.but what happened to the rest of the band? Well Peter eventually went back to London and sat in with Jimi Hendrix on two gigs at the Speakeasy, a London night club, before returning to New Zealand about 1970 to became an award winning record producer, then later to Australia, where he produced Air Supply's early recordings, plus many other big name artists. Paul came back to New Zealand in 1972 to become a well known radio DJ and also played for a top band, Just Us. Later he went to live in Los Angeles where he was for years, running a very successful advertising agency from his yatch in Marina Del Rey. Paul M came back to New Zealand in 1992 for a reunion where he and I played at the Musician's club with Wayne Allen on drums and another old friend of Gary's on bass, Pete Hansen, almost The Secrets once more. We played to a capacity audience of ‘60s and ‘70s musicians who all knew Gary very well, and Paul paid tribute to Gary and the gig made the newspaper and national television.

ABOVE: AFN Dj PAUL DRAKE

Please let this article be a monument, and a memory to our dear friend Gary Thain, from myself, Paul Muggleston, and Peter Dawkins and all his fellow musician friends that were there at the Christchurch musicians club that night. We will never forget him. Paul Muggleston now currently lives and performs in Las Vegas, he is also a life long friend. I have also always kept in contact with my dear friend Paul Wetterhahn, who incidentally goes by the name of Paul Drake (his mum’s maiden name). Paul and his wife Cheryl have for years had their own very well known company in Chicago, Paul Drake Productions.



Years ago I asked Paul for another copy of our tape but he thought that it had been lost from water damage along with some other tapes, so I took it for granted that our music had been lost forever. But an amazing thing happened only just recently and 42 years later he discovered that he had still had the tape put away safely elsewhere and sent me a copy. More recently my wife Gwen and I spent some time in Sydney with my old mate Pete Dawkins and his lovely wife Penny to celebrate his 60th birthday, and it was great to catch up after all these years. And yes we had an adventure. And we've often thought, wow! we almost nearly made it. The rest is history! Enjoy the music!

Dave Chapman

DAVE CHAPMAN / ME & THE OTHERS live at the PN Hit House in '66

ME AND THE OTHERS & THE NEW NADIR (by Peter Dawkins)

From the linernotes of the album "UNCOVERED" (FA6514)
Copyright: PETER DAWKINS and FEATHERED APPLE RECORDS

In June 1966 I set out with Dave Chapman on a great adventure, one I am probably still on.
Dave and I boarded the MV Fairsky to set out to the UK. As far as I know we were the pioneers in pop music becoming New Zealand’s first export. I had just turned nineteen. Dave was 21.
Members of my Christchurch based band were named Me And The Others. We were kind of brash, had loads of confidence and somehow felt quite invincible.

It was planned to meet the other two members in England as they had sailed a month before on the Australis. After six weeks of boredom, we arrived in Southampton, glad to be on terra firma once more.

ME AND THE OTHERS (UK, 1966. L-R: Paul, Dave, Peter, and Gary)

Paul Muggelston, our rhythm guitarist and singer, was there to meet us in his Triumph Herald. My drums were attached to the roof rack in the box they were packed in, and we sped off to London to the strains of Pirate Radio’s Caroline, playing the Kinks ‘Waterloo Sunset’ and The Troggs ‘With A Girl Like You’. It was a balmy summer's day, and all was well with the world.

After a brief stop over at my grandmother’s house in Ferrybridge, Yorkshire, we met up with the fourth member, Gary Thain, who had started playing with a band in Scarborough, a Yorkshire seaside holiday resort complete with a stony beach.

Finally we were together, and immediately we journeyed to London and secured a flat in Clapham. Then the job of finding work fell to me. I began by ringing every contact I had and this included a letter I had to Chris Blackwell, the legendary founder of Island Records. I had nursed the letter all the way from New Zealand and secured a meeting with the great man on the strength of it. He saw me at once, then read the letter with some interest.
“I am quite happy to give you an audition, but I have no idea who this letter is from”, he said sympathetically.

Embarrassed but relieved, I arranged for us to play for Chris, but alas he did not like the band. Later, we auditioned for Decca’s legendary Dick Rowe, whom we had hired the Marquee for. He arrived late, sat in the back for one song, and then left without a word. I justified it to the band, explaining that after all, he had turned down The Beatles. It was as tough as you would expect with every band we saw seeming to be better than Me And The Others. I was hanging out at the legendary ‘Ship Hotel’ on Wardour Street, when I struck gold, meeting a paraplegic agent named Dave Backhouse, who introduced me to his boss, Jack Fallon of Cana Variety. They promised us work but we would have to wait about six weeks.

As we walked back from the agency through Soho, we spotted a sign in a window advertising Knuckles Club, and mine host Viv Prince, former drummer for the legendary Pretty Things. I went in and introduced myself and instantly out came Viv’s scrapbook. It transpired that when the Pretty Things had toured New Zealand with Sandie Shaw, Viv had been deported after running on stage with a lighted newspaper and various other things that the police were reluctant to talk about at the time.

After Viv revelled in his memories, he gave us a gig over the next few weeks at the princely sum of eight pounds a night. This was far and away better than a kick in the teeth. It was not until we left that I discovered he was supposed to pay us twelve pounds a night. We played there until the Cana Variety work started. It was a great time with memories to dine out on for life. We even got a month’s booking at the PN Club in Munich, where we wooed the girls and played some of best sets. In 1966, into early 1967, the band decided to call it quits and two of the boys returned to New Zealand, with Gary and I staying behind and forming The New Nadir in Germany.

THE NEW NADIR in Switzerland '67. L-R: Peter Dawkins, Ed Carter, and Gary Thain.

It was a most exciting time to be a part of a growing music industry.

The New Nadir was really the first band I could feel proud of. It was not that anything was wrong with Me And The Others, it was just that I had to work so hard to achieve what I thought should have come naturally. It was lucky that Gary and I decided to stick together because as fate would have it, Ed Carter came into the PN Club looking for a bass player and drummer he had heard about. After a month of quick rehearsals, we were signed by the Swiss agent Freddie Whipfry, and booked to appear at the Hotel Hirschen in Zurich where we played for three months. It was long hours, working from 12.00 midday until 12.00 midnight, with one hour on and one hour off. Somehow our attitude saved the day. We were determined to utilize the time to rehearse and eventually came up with a killer set featuring a mixture of originals and blues flavoured music mixed with Indian. We called it Raga Rock. It stemmed from Ed Carter’s love of Indian music having been through the Ali Akbar Khan school at Berkeley, California. He taught the basics to Gary and me during the hour off, and then we would attempt it in the hour on. From these sessions came the beautiful Black Snow, which typified our efforts.

ABOVE: THE NEW NADIR (1967 Swiss promo card, Eurex Records)

After Zurich, we toured the German Canton of Switzerland and onto the PN Hit House in Saarbrucken for a month, where a group of fans hired a bus from Zurich to come and see us. We then hit Northern France playing Merlebach, Freyming and Saurgamine, before going on to Paris to play at the legendary Omnibus club.

We followed Hendrix and allegedly went down a lot better than his group.

It was mid 1967 when we landed back in England feeling pretty damned good and confident. We had decided to give it three months of only playing around the key gigs in London, all but ignoring the North of England, even though that was where the money was. Unfortunately, the north was going through a period of soul music, which we knew was not for us.

Instead we became regulars at The Speakeasy, Blaises, Blades, and The Bag of Nails and of course we played The Marquee. During this time we had some memorable gigs and made a recording for Polydor before the band decided to call it quits and I returned home to New Zealand, about to start on a successful career as a record producer. The band stayed together for a few gigs with US drummer Michael Kowalski, before bowing out in early 1968. Gary joined up with Keef Hartley and then Uriah Heep, before his untimely death at 22. Ed Carter went back to California and joined The Beach Boys as backup for Brian Wilson, and subsequently played lead guitar on ‘Bluebirds over the Mountain.’

Reflecting back we could have made it, but I feel that the internal pressure to succeed quickly was just too great. Still, it was a great time, and one I would not have changed for anything.

Peter Dawkins

ABOVE: PETER DAWKINS at the Speakeasy, UK 1967

Thanks to Lenny Helsing of The Wildebeests, and Thanes for editorial help!

"DOWN THE LINE" is the blog spot of FEATHERED APPLE RECORDS
Copyright for all contents: FEATHERED APPLE RECORDS, P.O. BOX 141, 4007 BASEL, SWITZERLAND
FEATHERED APPLE RECORDS WEBSITE:
http://homepage.swissonline.ch/featheredapple/

THE NEW NADIR / ME AND THE OTHERS

THE NEW NADIR / ME AND THE OTHERS - Uncovered (Feathered Apple FA-6514) LP

THE NEW NADIR / ME AND THE OTHERS - Uncovered (Feathered Apple Records FA-6514) vinyl LP, with insert! 

Groundbreaking split LP including 5 killer previously unreleased 1967 mod/freakbeat/rnb/garage studio tracks by the legendary New Nadir featuring Ed Carter from San Francisco, California on lead guitar and vocals (ex Bruce Johnston, pre The Beach Boys); Gary Thain from Christchurch, New Zealand on bass (pre Champion Jack Dupree, Keef Hartley, and Uriah Heep); plus Peter Dawkins also from Christchurch, New Zealand on drums (the greatest record producer from down under).

The New Nadir have played some celebrated clubs in London such as the Speakeasy where they gigged a few times with Jimi Hendrix, who was supposed to produce their first record for the UK Polydor label, however after Ed Carter had received the offer to join The Beach Boys, the band split and nothing was ever released.

The five tracks by The New Nadir on this LP were recorded on Monday, August 28th 1967, at a professional Swiss recording studio near Zurich, and capture them in great mood at their fantastic first recordings. The songs range from top mod/freakbeat/garage masterpieces (TOMORROW, as well as I NEED HER NOW), thru unique eastern influenced freakbeat tracks with raga riffs (BLACK SNOW), and onto the pop-art sound of PEOPLE ARE CHANGING, and the rambling rnb/freakbeat/garage guitar instrumental WALKING.

The LP is highlighted by the monster previously unreleased freakbeat track LOVE IS NOT A GAME, which was recorded by the pre-New Nadir outfit Me And The Others in November 1966, at Regent Sound Studios in London. This could easily hail as one of the greatest freakbeat tracks which was ever produced in the UK.

Me And The Others were a mid 60s beat/rnb/freakbeat band from Christchurch, New Zealand featuring Peter Dawkins on drums, and vocals (ex The Strangers); Dave Chapman on guitar, Gary Thain on bass (ex The Secrets, and The Strangers), as well as Paul Muggleston on lead vocals, guitar, and organ (ex The Secrets, The Dynamics, Atlantics, etc.). The LP is rounded out by 5 choice never before released live tracks from a Me And The Others gig in Germany that was recorded in January 1967: The amazing Graham Bond Organisation type of guitar - organ instrumental COMING HOME BABY, plus fantastic kiwi modbeat/garage/freakbeat versions of YOU BETTER RUN, HOLD ON I’M COMING, and CAN’T TURN YOU LOOSE, as well as the killer beat/rnb/punk original track EVEN GREEN ONES.

THE NEW NADIR / ME AND THE OTHERS - Uncovered (Feathered Apple FA-6514) LP

KEY SELLING POINTS:


1. Gary Thain played with his brother Arthur in the fabulous early 60s beat / garage band The Strangers with whom he released three excellent 45s between the years 1963 to 1965. Gary’s 2nd band The Secrets was nominated with the Loxene Golden Disc award for IT’S YOU (the Searchers-like top-deck of the killer garage track YOU’RE WRONG) in 1965.

After the breakup of The Secrets in 1966, Gary Thain and Paul Muggleston (also from The Secrets) teamed up with Peter Dawkins and Dave Chapman to tour Europe with Peter’s band Me And The Others.

After the breakup of Me And The Others, Gary, and Peter went on to form the legendary freakbeat/rnb/garage trio The New Nadir with Ed Carter from California on vocals, and guitar. The rest is history. Ed Carter then joined The Beach Boys, and Gary went on to play with Champion Jack Dupree, Keef Hartley and Uriah Heep.

2. Ed Carter became the lead guitarist and bass player of The Beach Boys in 1968, with whom he still plays with today.

3. Peter Dawkins has produced no less than 20 number one hit records, and over 50 gold and platinum albums during his producing career.

4. Ed Carter began in 1963 to play guitar and bass with The Shufflers, a surf and rhythm and blues band from southern California featuring Mike Kowalski on drums, and Bruce Johnston on keyboards and guitar. In 1965 Johnston joined The Beach Boys to replace Brian Wilson at concerts. Three years later, in 1968, Carter and Kowalski became permanent members of The Beach Boys too.

5. Jimi Hendrix was going to produce the first record of The New Nadir for the UK Polydor label, however after Ed Carter received the offer to join The Beach Boys, The New Nadir split and nothing was ever released.

6. Jimi Hendrix shared the stage with The New Nadir several times during 1967 – 1968, and he jammed with them at the Speakeasy!

7. LOVE IS NOT A GAME was never released, only because Me And The Others had no time to record a flipside for it, as they had to leave for some gigs in Germany, where they finally broke up in February of 1967.

8. The five songs by The New Nadir are all top notch 1967 freakbeat originals, written by Ed Carter, Gary Thain, and Peter Dawkins.


9. The New Nadir tracks have a killer analogue sound quality as they were cut DIRECTLY from the original master tapes!

10. The New Nadir tracks were all recorded as part of a package promotion deal which was put together by the famous Swiss 60s music magazine Pop, and the small Swiss Eurex Records label. The recording session was held at a professional Swiss recording studio that was located near Zurich.

11. The New Nadir tracks on this LP were never released because the band didn’t want to end up on a small Swiss record label. They wanted their first record to be produced by Jimi Hendrix for Polydor Records in the UK.

12. The LP comes with extensive liner notes written by Peter Dawkins and Dave Chapman.

13. The LP cover shots of Me And The Others were taken in London for Brian Epstein’s agency.

THE NEW NADIR / ME AND THE OTHERS - Uncovered (Feathered Apple FA-6514) LP

TRACK LISTING:
THE NEW NADIR / ME AND THE OTHERS - Uncovered LP

SIDE 1:
1. THE NEW NADIR - People Are Changing
2. THE NEW NADIR - I Need Her Now
3. THE NEW NADIR - Walking
4. THE NEW NADIR - Tomorrow
5. THE NEW NADIR - Black Snow

SIDE 2:

1. ME AND THE OTHERS - Love Is Not A Game
2. ME AND THE OTHERS - Even Green Ones
3. ME AND THE OTHERS - Coming Home Baby
4. ME AND THE OTHERS - You Better Run
5. ME AND THE OTHERS - Hold On I’m Coming
6. ME AND THE OTHERS - Can’t Turn You Loose


ORDER FROM:
Feathered Apple Records
P.O. Box 141
4007 Basel
Switzerland
Email: featheredapplerecords@balcab.ch
Website: http://homepage.swissonline.ch/featheredapple/index.html


REVIEWS:

UGLY THINGS story by MIKE STAX Part 1 CLICK TO VIEW FULL SIZE!!

UGLY THINGS story by MIKE STAX Part 2 CLICK TO VIEW FULL SIZE!!

UGLY THINGS story by MIKE STAX Part 3 CLICK TO VIEW FULL SIZE!!

SHINDIG review by LENNY HELSING was slightly cut by the SHINDIG editor. CLICK TO VIEW FULL SIZE!!

4-star LP review from RECORD COLLECTOR magazine. CLICK TO VIEW FULL SIZE!!

NEW NADIR story from the Swiss magazine POP #18 August 1967. CLICK TO VIEW FULL SIZE!!

DISTRIBUTION:

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4007 Basel
Switzerland
Email: featheredapplerecords@balcab.ch
Website: http://homepage.swissonline.ch/featheredapple/index.html

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